General: The warp ikat Hinggi from East Sumba, Lesser Sunda Islands, are some of the most beautiful and striking of tribal cloths. Worn principally by Sumba Island men from the elite and nobility as hip or more commonly shoulder cloths, they strongly reflect the male islanders concern for nature, ritual and the spirit world. Woven in combinations of natural red (hinggi kombu) and blue dyes on white or ecru, they carry a wide range of geometric, anthropomorphic and zoomorphic motifs arranged in horizontal bands, commonly three to eleven in number. The motifs are generally outlined in white or ecru. They are also woven with the upper part of the cloth being the mirror image of the lower so that when the cloth is hung over the shoulder the motifs appear the correct way up on both the front and rear. More unusually, they can also carry iconography taken from other sources such as old Chinese porcelain and Dutch coins. Woven in two vertical sections and stitched together, the central horizontal band generally carries motifs reflecting modification of the patola motif. Another major band is the hai (second above the fringe) which is often the widest and carries some of the most significant motifs of a particular cloth.
Criteria for identifying high quality hinggi include, firmly woven, use of hand spun cotton, precision of the images, complexity of pattern, saturated colour tones and tan over staining, Z stitching joining of the two panels, elaborate corded and ikat patterned fringes. The number and quality of cloths owned reflects wealth and status. They are given as gifts at weddings and worn on ritual and ceremonial ocaissions. They also serve as shrouds and grave goods.
Specific: This is an immensely complex and elaborate Hinggi, principally in red (kombu) and ecru, with supplementary design elements in indigo highlighting a vast range of background figures. Overall it depicts a ceremonial procession. The main motifs are elaborately dressed Rajas or noblemen mounted on horses (distinguished by their headwear and the Sumba mamuli worn on the ears and around the neck) surrounded by both standing and seated attendants. Two standing attendants support the rider with their arms. The cloth carries a central band of patola ratu motifs and on either side a band depicting rampant lions (a Dutch colonial motif) and field hens. It also carries a woven band securing the warp fringes.